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Ema Mitrović
mezzo soprano / contralto

Upcoming Performances

"Her rich mezzo is pure pleasure.."
-Christine Chase, Basso Buff 6/11/18

Alisa 'Lucia di Lammermoor'
Hudson Opera Theatre

"Making a big impression in the secondary role of Frugola was Ema Mitrović, recently seen in MCO’s The Doctor and the Devils. Her range as a mezzo-soprano is extraordinary. Here, her Frugola, the ragpicker, riveted one’s attention with sympathetic warmth and humor, backed up with her luscious vocal portrayal."
-Alan Sherrod, Arts Knoxville 6/24/24

La Frugola 'Il Tabarro'
Marble City Opera

"The famous 'Ride of the Valkyries' that opens Act 3 was a showstopper that creatively positioned extra singers on the balcony to enhance vocal power.  Incidentally, it was unforgivable that the night's best female voices (especially mezzo soprano Ema Mitrović) were hidden among the valkyries' octet, in comparatively small roles."
-Berkshire Eagle, 8/23/23 

Schwertleite 'Die Walküre'
TUNDI Productions

"Mezzo-soprano Ema Mitrovic laid down a plush carpet of notes, performing Ulrica’s Aria from “Un Ballo.” The tessitura’s low end dropped into the contralto range where she voiced both authority and menace."
-Christopher Ruel, OperaWire 3/21/22

Benefit Concert for Ukraine

"From Verdi's Un Ballo in Maschera, Ulrica's conjuring of supernatural forces was given particular menace by Ema Mitrovic's chilling contralto, convincingly bringing the seer to life. With incredible strength at the bottom of her range, the brilliance at the top was particularly impressive. We also enjoyed the dynamic variety."
-Meche Kroop, Voce di Meche 3/21/22

Benefit Concert for Ukraine

"Our stunning contralto reappeared for "Amour viens aider ma faiblesse", Dalilah's aria from Saint-Saëns' Samson et Dalilah. Just as she effectively created the character of Ulrica, she also created a seductive temptress-- by means of vocal coloration and bodily gesture. We reckon that the audience got seduced!"
-Meche Kroop, Voce di Meche 3/21/22

Benefit Concert for Ukraine

"Out of the ensemble, I found Ema Mitrovic as the Monitress to be the standout."
-Opera Teen 5/19/12
Monitor 'Suor Angelica' 
Opera Manhattan

"I found myself wishing to hear more.."
-Christine Chase, Basso Buff 4/15/18 
Annina 'La Traviata'
Hudson Opera Theatre

"...the couple remain alone on their wedding night, with the exception of Suzuki...brought to stage by a genuine gem in this opera’s cast, Ema Mitrović.."
-Meet Me in the Green Room 6/1/19
Suzuki 'Madama Butterfly'
Hudson Opera Theatre

"Ema Mitrovic returned to our Orange County to give us Mercedes...Her rich, dusky mezzo was delightful and paired excellently well with Ms. Forteza's voice to make a truly satisfying and polished duo.  We understand she will be singing Suzuki in Butterfly this June with the same company, very welcome news."
-Christine Chase, Basso Buff 4/14/19

Mercédès 'Carmen'
Hudson Opera Theatre

"And a frequent HOT performer, who has won her way into Basso Buff's ears, Ema Mitrovic, was to be Suzuki...Ema's voice is rich and lush, very satisfying to hear.  This character paired with this singer tipped the balance for me and I had to be brave about the tears and sorrow."
-Christine Chase, Basso Buff 6/2/19

Suzuki 'Madama Butterfly'
Hudson Opera Theatre

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Based in New Jersey, New York City, and the surrounding tri-state area.

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